• • • • • • • • • • • • • • • Ryuichi Sakamoto ( 坂本 龍一, Sakamoto Ryūichi, born January 17, 1952) ( Japanese pronunciation: ) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in and. He began his career while at university in the 1970s, as a session musician, producer, and arranger. His first major success came in 1978 as co-founder of the trio (YMO). With bandmates and, Sakamoto helped play a pioneering role in the development of, and genres. He concurrently pursued a solo career, releasing the electronic album (1978), and later released the album B-2 Unit (1980), from which 'Riot in Lagos' influenced the development of and. He went on to produce more solo records, collaborate with many international artists, and pursue a wide variety of projects, in different genres ranging from to and.

Forbidden Colours (Cinemage version) Recorded live at Takemitsu Memorial Hall, Tokyo, Japan in September 1998. David did new vocals and Ryuichi merged the two. Download 3cx Assistant Manual Free there. (CATALOG #) Rare, very early Japanese import CD pressing of the Ryuichi Sakamoto & Danceries albumThe End Of Asia. The CD includes a booklet with.

He composed music for the 1992 opening ceremony, and his composition 'Energy Flow' (1999) was the first number-one single in Japan's charts history. He has collaborated with a range of artists, including,,, and. As a film composer, he has won an,,, and two, and has received three BAFTA nominations and four Golden Globe nominations. (1983) marked his debut as a composer and as an actor, and its main theme was adapted into the single ' which became an international hit. His most successful work as a film composer was (1987), after which he continued earning accolades composing for films such as (1990), (1993), and (2015). On occasion, Sakamoto has also worked on and, as a composer as well as a. In 2009, he was awarded the from France's for his musical contributions.

Contents • • • • • • • • • • • • • • • • • • • • • • Career [ ] 1970s [ ] Sakamoto entered the in 1970, earning a B. Ucla Extension Writers Program Contesting there. A. In and an with special emphasis on both electronic and. He studied there with the intention of becoming a researcher in the field, due to his interest in various traditions, particularly the (especially ), and traditions. He was also trained in and began experimenting with the equipment available at the university, including synthesizers such as the,, and. One of Sakamoto's classical influences was, who he described as his 'hero' and stated that “ heavily influenced Debussy, and Debussy heavily influenced me. How To Install Second Hard Drive Dell Xps 8300 Manual.

So, the music goes around the world and comes full circle.” In 1975, Sakamoto collaborated with percussionist Tsuchitori Toshiyuki to release Disappointment-Hateruma. After working as a session musician with and in 1977, the trio formed the internationally successful band (YMO) in 1978. Known for their seminal influence on electronic music, the group helped pioneer such as,, music,, and.

The group's work has had a lasting influence across genres, ranging from and to and general. Sakamoto was the songwriter and composer for a number of the band's hit songs—including ' (1978), ' (1979), ' (1980), ' (1983) and ' (1983)—while playing keyboards for many of their other songs, including international hits such as ' (1978) and ' (1979). He also sang on several songs, such as ' (1983). Sakamoto's composition ' (1979) was credited as a contribution to the development of music, while the internationally successful ' (1978)—a synthpop song in which he sang vocals through a —was later by a number of international artists, including and. Sakamoto released his first solo album in mid-1978 with the help of —Hosono also contributed to the song 'Thousand Knives'.

The album experimented with different styles, such as 'Thousand Knives' and 'The End of Asia'—in which electronic music was with traditional —while 'Grasshoppers' is a more piano song. The album was recorded from April to July 1978 with a variety of, including various synthesizers, such as the, a; the; the; the, the; the; the, which is a vocoder; the, which is an; the, an kit; and the -based, which is a that was programmed by Matsutake and played by Sakamoto. A version of the song 'Thousand Knives' was released on the Yellow Magic Orchestra's 1981 album.

This version was one of the earliest uses of the, for YMO's live performance of '1000 Knives' in 1980 and their BGM album release in 1981. A sample of 'Riot in Lagos' from Ryuichi Sakamoto's 1980 album B-2 Unit.

This track is credited for having anticipated the beats and sounds of. Problems playing this file? In 1980, Sakamoto released the solo album B-2 Unit, which has been referred to as his 'edgiest' record and is known for the electronic song 'Riot in Lagos', which is considered an early example of (electro-funk), as Sakamoto anticipated the beats and sounds of electro. Early electro and hip hop artists, such as and, were influenced by the album—especially 'Riot in Lagos'—with Mantronik citing the work as a major influence on his electro hip hop group. 'Riot in Lagos' was later included in 's Kings of Electro (2007), alongside other significant electro compositions, such as 's 'Al-Naafyish' (1983).