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The three VBC plug-ins can be used individually or together in the FG-Rack plug-in. You wait ages for a Virtual Buss Compressor, and then three come along at once. Mix-bus compression is a double-edged sword. Used properly, it can deliver additional loudness, and help to tackle problems commonly associated with mixing in DAWs, applying coherence and 'glue' — yet it can just as easily ruin your mix completely. Most of us have probably found ourselves wondering whether putting a compressor across the mix bus will make things better or worse, and wondering which compressor to use. Slate Digital's answer to this dilemma is to give you not just one compressor but three.

Virtual Buss Compressors (VBC) is a software bundle comprising three plug-ins created in the image of some of the most sought-after hardware mix-bus compressors, plus a fourth plug-in that combines all three models in one interface. The VBC bundle is authorised to a second-generation iLok USB key and is available for both Mac OS and Windows in Audio Units, VST and VST3 formats (32- and 64-bit) as well as RTAS and AAX1 (32-bit only). A 64-bit AAX2 version is in development. In the initial release, the VST3 versions did not work in Cubase 7 (64-bit), but this was soon fixed in the 1.0.1.6 public beta. Aside from that, there have been no stability issues. The FG-Grey plug-in is modelled on the SSL 4000 G-Series Buss Compressor that is, arguably, the mother of modern mix-bus compression. Some say it is also the source of the additional 's' on the word 'buss'; I'm not sure about that, but it certainly popularised this spelling.

Built into a state-of-the-art mixing console, the SSL Buss Compressor quickly became an industry standard, not least because it kept clients happy by making their works in progress sound more like finished products. You might say that the SSL Buss Compressor started the modern practice of mixing into the compressor rather than applying compression post-mix.

FG-Grey is an emulation of the famous SSL 4000 G-Series Buss Compressor — with some added ingredients. While 'grey' refers to the original hardware's colour scheme, the initials 'FG' represent the man who coded these plug-ins, Steven Slate's in-house genius Fabrice Gabriel. Avoiding trade names, obviously, has a lot to do with licensing, but it has also given Slate and Gabriel a chance to add some features that go beyond the original. Bmw E46 Compact Betriebsanleitung Pdf Editor. Like all of the VBC plug-ins, FG-Grey offers a variable high-pass filter in the side-chain, which lets you decide how much influence low-frequency mix elements such as bass and kick drum should have over the compression: depending on the musical style, some pumping can actually feel quite nice. Another addition to all three plug-ins, not present in the original hardware, is a Mix knob for instant parallel compression.

The set of controls is standard for a VCA compressor — attack, release, threshold and ratio — and FG-Grey is probably the easiest of the three to configure, because the parameter ranges are sensibly chosen. However, the black knobs with their thin markers are quite hard to read against an almost black background. It's easy to overlook the Auto release button, which typically gets a lot of use in mix-bus applications. Unlike the hardware, which only has three ratio settings, the lowest being 2:1, FG-Grey can do 1.5:1 for a softer type of compression.

For accuracy's sake, I should mention that FG-Grey also omits one feature of the original hardware: the auto-fade button. La Cimbali S39 Barsystem Manual Arts. I'm sure it had its uses in analogue times, but now that we have DAW automation, I doubt that many engineers will miss a knob for automated fade-outs. One thing I dislike, however, is the fact that FG-Grey isn't level-matched. Just plugging it in without any processing going on increases the level by 1.5dB. It seems a bit odd to call a plug-in FG-Red when its GUI is a very dark shade of grey, but in this post-modern world, nothing is what it is, and everything becomes a reference to something else. Red, thus, is not the colour of the plug-in's own (virtual) faceplate, but that of the Focusrite unit it emulates. The Red 3 Compressor/Limiter may not be as popular as the SSL Buss Compressor, but as mix god Chris Lord-Alge is a prominent user, chances are you've heard it in action a million times.